English 271:
Short Story Writing
Spring 2004
Cynthia Garrett
Associate Professor of English
Office: Macmillan 303; office hours Mon. 1:30-3:00, Tues. and Thurs. 11-12:30
Office phone: 3250; home phone: 364-5361(not too late, please); email: cgarrett@wells.edu
Texts:
Janet Burroway, Writing Fiction, 6th ed.
Nancy Willard, Telling Time: Angels, Ancestors and Stories
photocopies
Course description:
Practice in fiction writing, including exercises in point of view, dialogue, setting a scene, and introducing characters. Emphasis will be on student writing in a workshop format, but outside authors, including visiting writers, will also be studied.
The course is structured in two parts. In the first part, we will focus on particular elements of fiction writing and you will write short (2-3 page) pieces emphasizing these elements. In the last part of the course, you will write two longer (about 6-8 page) stories. At the end of the semester, you will submit revisions of one longer story and two of the earlier exercises.
Grading:
The short exercises will be worth 40% of your grade, the longer stories 30%, and the revisions 15%. The remaining 15% will be based on your contributions to the workshop process through attendance, discussion of outside texts, and critique of other students’ work. Attendance at readings by Leslie Norris and Nancy Willard is required.
In the first part of the course, I will comment on each exercise individually and grade the exercises collectively the week of 3/18. The two longer stories and the revision portfolio will receive individual grades.
Schedule:
Readings are due for discussion on the date listed. Writing for discussion on Thurs. is due to my office, Mac 303, by 11:30 the Tuesday before for photocopying. The full text of class writing will be available by 1:30 on Tuesday outside my office. You must pick up this manuscript to read before the Thurs. workshop.
Part 1: The Elements of Fiction
Date Focus Writing Reading
2/5 introduction in-class exercise
2/12 sources of fiction 1 fictionalization of childhood WF 1-28, “The Writing
experience Process” and 411-4, “Kinds
Fiction”
TT 21-39, “High Talk in the
Starlit Wood”
2/19 sources of fiction 2 description/narration WF 74-116, “Seeing is based on observation “Believing”
TT 190-218, “Telling Time”
2/26 characterization character sketch WF 118-132, “Building
Character,” and 157-196,
“Flesh Made Word”
3/4 place and time setting a scene WF 198-218, “Long Ago and
Far Away” and 236-251
3/11 point of view 1 third person narration WF254-82,“Call Me Ishmael”
Norris, “Snowdrops”
Willard, “Theo’s Girl”
VISITING WRITER LESLIE NORRIS 3/15 or 3/16, 7:30 AER
3/18 point of view 2 first person narration WF 287-323, “Assorted
Liars”
3-4 story ideas
INDIVIDUAL CONFERENCES ON WRITING EXERCISES
3/25 SPRING BREAK
VISITING WRITER NANCY WILLARD 3/31, 7:30 AER
4/1 plot/structure story synopsis WF 30-73, “The Tower and
3-4 story ideas the Net”
Part 2: Putting the Elements Together
Dates for presentation of the two longer stories will be arranged on 3/18.
4/8 longer story 1
4/15 longer story 1
4/22 longer story 1
4/29 longer story 2
5/6 longer story 2 WF 395-410, “Play It Again”
TT 219-44,“Close Encounters
of the Story Kind”
5/13 longer story 2
Last week of classes: Public reading, TBA
5/19 Revision portfolio due
Policy on late work:
Work for class discussion on Thursday is due the Tuesday before by 11:30. In a workshop, writing submitted late inconveniences the whole group. If an emergency occurs that prevents you from getting work in by deadline, call or email me. Work submitted too late for photocopying may not be discussed in class and, in the case of repeated late submissions, I may not accept the work for comments or credit.